嘉兴美术馆

嘉兴美术馆美术创作工作室

2024年5月18日—2024年6月12日

2024年5月25日10：00—11：30

嘉兴美术馆（嘉兴市中和街28号）展厅二楼

画家简介

前言

        “叙述”作为一种表达方式，是对生活中点滴事物的记载和整理，又是在文学创作中一个不可或缺的表述方式。同样，作为艺术家所创作呈现的画面和作品同样是作者自己阶段性情绪和心境的路径叙述方式。

        年轻旅日艺术家余统亚以数量为60件左右，尺寸大小不一的水性纸本、布面油彩、丙烯、岩彩等为媒介材料，以具像到实验表现和抽像为表现手法的作品，展出作品涵盖了她国内本科学习阶段以及日本埼玉大学和筑波大学留学的几个阶段，有侧重研究空间描摹到后来自己做模型绘制的各种室内作品部分，有借助于各种材料的揉合，不拘泥于具体的形象，以点线面构成为主带实验性的作品部分，以及以绘本故事作为表达形式的部分作品，呈现出结合中国水墨的材料研究尝试，透露出丝丝旅日乡愁具人文主义色彩的作品，又有对康定斯基、蒙德里安、草间弥生等抽像主义大家养份的汲取后色彩趋于饱和、浓郁但画面走向冷静理性和简约的构成主义作品。

        她向读者传递和叙述着一个年轻艺术家的阶段性艺路历程，虽然从作品整体上看风格比较跳跃和多样，但可以看见作者在对于艺术的理解和探究过程中，若隐若现的那条相对连贯走向逐渐趋于主观的线条和脉络。

        对于艺术探究过程中的个人体系和认识所呈现的不确定性和不稳定性，恰恰是一个年轻艺术家不拘泥于程式化表达所应该保持的特质。

        她在非理性中寻找规律和个人语言、在一片喧嚣中寻找一抹单纯的心境、在一众浮夸中秉持着自己的一份执着！

        从她所展出的作品中，我们可以感受到作者在那不善交际和言表的表像下，藏着那颗对于艺术燃烧着执着和爱的初心！

        Yu Tongya, a young artist living in Japan, uses about 60 pieces of water-based paper, oil on canvas, acrylic, rock color and other works of different sizes as media materials, and uses figurative to experimental expression and abstraction as the expression techniques, and the works on display cover her undergraduate studies in China and several stages of studying abroad at Saitama University and the University of Tsukuba in Japan. The works that are mainly composed of dots, lines and planes with experiments, as well as some works that use picture book stories as the form of expression, present the material research attempts combined with Chinese ink painting, revealing the humanistic colors of the nostalgia of the silk, and the constructivist works that absorb the nutrients of Kandinsky, Mondrian, Kusama Yayoi and other abstract masters, and the colors tend to be saturated and rich, but the picture tends to be calm, rational and simple.

        Although the style of the work as a whole is relatively jumpy and diverse, we can see that in the process of understanding and exploring art, the relatively coherent line and vein that looms in the author's understanding and exploration of art gradually tend to be subjective.

        The uncertainty and instability of the personal system and understanding in the process of artistic inquiry are precisely the characteristics that a young artist should maintain if he does not stick to stylized expression.

        She is looking for regularity and personal language in irrationality, looking for a simple state of mind in the hustle and bustle, and upholding her own persistence in the midst of exaggeration!